My Connection to the
Tatau Legend

My family history regarding my connection to the Art of Tatau,  it’s attainment & my right to practice it. 


There has only been one prevailing version of the Tatau legend that has been passed down through generations. Other variations or accurate historical accounts of this myth are yet to be academically verified. In the Samoan culture, the Fa’alupega or the naming of chiefly titles is a vital part of an individuals identity, collective sense of belonging and worldview. To know one’s fa’alupega or genealogy is their connection to the land and origins of their past.

My parents both hail from the opposite sides of a large district village called Falelatai in Upolu, Samoa. The elder generation who are much wiser, knowledgeable and intuitive are aware that many of the remarkable myths and legends throughout history that depict demigods and royalty originate from Falelatai. My village fa’alupega or version of the Tatau legend is not something that I take lightly in openly sharing. As this is a treasured heirloom story that should be kept exclusively as family knowledge. However, I am willing to provide some context surrounding my family and village connection in attaining and practising the art of the tatau. Also, safeguard and withhold some intricate details by only purposely revealing the general names of paramount titles concerning this version.

My name Falefitu translates into ‘The House of Seven’ which represents the seven highly respected paramount titles of my family and the broader village community of Falelatai. In no particular order, these seven titles are Taefu, Misa, Sila, Nanai, Anae, Faalavaau and Tagomoa. In the past, my name was once ‘Falefitu o le Ati a Tagaloa’ which later in history changed to the current name ‘Falefitu O le Aiga Tauaana’. However, there is another prominent chief title that although is not mentioned amongst these seven titles, also plays a substantial part in the history of Falelatai. This paramount chief named Fasavalu had a daughter by the name of Sinalalofutu. She and Ulufanusese’e had two children who were Siamese twins known as Taema and Tilafaiga.

We believe that these sisters are the sole owners of the Tatau and retrieved the sacred basket consisting of the traditional tatau tapping tools from an ancient place that no longer exists today. It is contrary to the popular legend that states that the tatau was initially from Fiji, but the Falelatai version portrays the sisters retrieving this from the ancient place called Fitiuta in Folau. My fathers Fa’alupega depicts the attainment of the tatau while my mother’s genealogy depicts the right to practice it. Furthermore, my mother’s father Sila Ioane I Taito Pale and the grandmaster Su’a Sulu’ape Paulo II are first cousins as their grandmothers are sisters who are the children of Siaana. Therefore, there are other details to this version that I will not disclose, but this brief explanation sums up my family and village connection to the Legend.

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Gain an insight into ‘The Tatau Song’. Known in Samoan as the ‘Pese o le Tatau’. It is a traditional song that is sung when an individual is being tattooed.